Arrowmont played host to a great opportunity to talk Craft School Experience: the Surface Design Assocation's 2015 Conference MADE/AWARE: SDA CRAFT + CONCEPT INTENSIVE. It was a chance for something Craft is all about--connecting with other artists. Present Arrowmont Resident Artists connected at Arrowmont as presenters, attendees and facilitators. We'll have more reports to come, but here's a photo from the meetup:
Students, instructors, artists and designers from across the globe attended the 4-day intensive. Past resident artists and current employees, Heather Ashworth (Wood Studios Technician) and Jason Bige Burnett (Program & Studios Manager) helped facilitate pre-intensive workshops and conference activities. Julia Gartrell and Skye Livingston, current resident artists, assisted Heather and Jason.
You can read more about this exciting event at Arrowmont's blog.
Stuart Kestenbaum: Tinker Poet
Stuart Kestenbaum spent two weeks at Penland in July as this year’s Andrew Glasgow Writing Resident. Stuart is the author of four books of poetry and a book of essays on craft and creativity. His work has been published in a number of magazines including Tikkun and The Sun and has been featured on Garrison Keillor’s The Writer’s Almanac. He sent us this account from his time at Penland. Scroll to the bottom to see a video of Stuart reading a couple of poems.
During my last week of the job I had held for 27 years, I received a call from Penland’s program director Leslie Noell asking me to be the Andrew Glasgow Visiting Writer at Penland for a two-week summer session. Sometimes before picking up a ringing phone I reflect for a moment that it could be either a wonderful opportunity or really bad news. Most times the call is far more mundane than that– a reminder of a dental appointment or a robo-call from a nonexistent bank. The call from Penland, though, was of the rare wonderful opportunity variety, particularly since the job I was leaving was as director of the Haystack Mountain School of Crafts, a program in Maine so similar in concept to Penland that we think of ourselves as sister schools. Penland inspired the founding of Haystack in 1950, and Bill Brown, who was assistant director at Haystack, became director of Penland in 1962. We’ve been sharing faculty and educational strategies for a long time
At Penland I would be able to experience the powerful creative energy of a community of makers—much like what I’d lived with at Haystack—but without any of the responsibility. Someone else would be thinking about plumbing, food, kilns, and fundraising. And, while I always loved the group energy of each session at Haystack, there was rarely time for my own work; these two weeks at Penland would give me time to focus on my writing.
- Read the rest of Stu's experience at Penland here and check out the video below!
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